create a sculpture with Stone Restoration

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Make the Office Work Become Easy Way to Finish

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Enroll Now at the Top Music Schools Today

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The Painting Process – An Artist’s Journey of Colors and Emotions Illustrated In 3 Paintings

This is the journey of sorts from mind-set completely to another as well as the colors and moods that guided me. I describe three paintings and their process.

“Anticipation” 36×24 oil on canvas, dated, Sept. 1998, from my “Passion Series” * was actually a breakthrough piece in my opinion. I was painting my “Victorian Series” for months, spening too much time on modulating the colours. I paint a lot from photos. My goal with the “Victorian Series” ended up being to devote as numerous colors inside complexion as I could. Looking at a photograph or life long enough lots of colors begin to show themselves that normally go unnoticed. Modulating many colors I became frustrated and bored after finishing 10 perhaps ones. I had put together a canvas we had painted a dark blue and decided that maybe it might be ok to just play…..but not modulate by any means. I stumbled upon a picture which i liked, studied the colors, filled my brush a brand new per stroke and applied these to my canvas. I have not modulated towards the extent i always was since. I continued painting with this color palette naming the series “The Passion Series”. I still tried to fit every color from the rainbow on my palette as I do to this very day adding small nuances wherever I’m able to. I would add here too the series before “The Passion Series” was “Hawaiian Legacy” that is certainly predominantly placed in sepia, tones.

Another illustration showing continue is “Girl On Phthalo Green” 36×48 oil on canvas, dated Oct. 2000 and from my “Cosmopolitan Series” * I became fed up with the palette of blues and fell deeply in love with phthalo green for a period. I assume I still enjoy it. This painting was greatly influenced by Modgliani. As i was in secondary school, in the past, my mother mentioned copying a Modigliani on her house. I painted a 60×72 piece for her in corals. I never forgot that painting nor Modigliani. Whenever i feel truly inspired paintings are carried out quickly as well as brushstrokes are executed wildly. We are in heaven throughout these times. I painted this in perhaps 3 hours over another painting I didnrrrt like.

“The Power Within Me” 48×36 oil and gold liner on canvas dated August 2002 is part of my “African Series” * This painting is part of my “African Series”. I often tried phthalo green as well as my beloved full palette in this particular series. I painted this quickly as well. It almost feels as though temperature, it really flows. I attribute that to doing my homework as they say. All of the numerous modulating and painting in sepia tones, my constant drawing in graphite gives me a base of understanding. I pay colors as I feel them, almost in the dance in fact it is definitely trance like. I use many paint and use big brushes. I work from dark to light. I save the lights and small brushes until I am sure that I am happy with the painting usually. It is always tempting to use small brushes and then add highlight but I remind myself that that will probably ruin the painting making it appear tedious. Sometimes they just don’t work, but I recently think, “So What!” I’m able to always paint over it, which is the gift of doing oils. I do believe sometimes there may be more freedom in oils than there may be in drawing and quite a few certainly watercolors. Painting on large canvas’ is usually very free. While i paint small I become locked up and here we are at where I started while i modulated colors. Whenever we draw on paper we aim to tell ourselves that must be ‘just paper’ to try and set ourselves free from bother about the end results, but oils generate a better friend with me.

In all of the of my paintings emotion plays the strongest part. This can be the part that can take the longest. Contrary needs to be right it’s the emotion experienced the whole picture, so that they can breath. Sometimes I cannot get that part in fact it is so frustrating in my experience i cannot sleep during the night time. It becomes the only thing I believe about. I choose to paint mostly women because I’m one and also, since I do believe they are beautiful.

* Finding the images of the paintings listed on my website:

“Passion Series” posted on my website #1
“Cosmopolitan Series” posted on my website #1
“African Series” posted on my website #4

About the Author:

Kathy Ostman-Magnusen
Hawaii, Us

Aloha! I am a figurative artist and Illustrator. When you check out my website as a way to I will be very prolific in oils. My paintings are collected worldwide. I should say also do sculpture; images available upon request. I’ve got illustrated for Hay House Inc. , Neil Davidson, who was simply considered for any Pulitzer Prize in feature writing, and a lot of other publications. Also i enjoy story writing and poetry. The many paintings,stories and poems on my blogs and website are written by me.